Installation
Glass
± 600x200cm
Unique Piece
2016 – 2017

“Too Much W(in)e” is a portrait of a relationship and the moment that it all went down in relation to the time that has occurred.

Shown
2018 A Moment Of Trust, Club Solo, Breda
2018 A Moment Of Trust, Publication, Tenthaus

Video Performance
Video 9:51 min
Size Variable
Edition 5 + 2ap.
2017

Shown
2017 Who is Afraid of Virginia Woolf ?, Flipsite, Eindhoven
2017 Untitled 2017, Paradiso Melkweg Productiehuis, Breda
2017 Never Settled, Willem Twee, ‘s-Hertogenbosch
2018 GAST, Melkfabriek, ‘s-Hertogenbosch
2018 First Art Fair, Galerie Mooi-Man, Passenger Terminal, Amsterdam
2018 Hollandse Nieuwe, Galerie Mooi-Man, Groningen
2019 1.050 KM/H In The Wrong Direction,  Josilda da Conceição Gallery, Amsterdam

Photoraphy
Intjet print, Framed
120×80
Edition 5+2ap.
2017

Shown
2017 Who is Afraid of Virginia Woolf ?, Flipsite, Eindhoven
2017 Untitled 2017, Paradiso Melkweg Productiehuis, Breda
2017 Never Settled, Willem Twee, ‘s-Hertogenbosch
2018 GAST, Melkfabriek, ‘s-Hertogenbosch
2018 First Art Fair, Galerie Mooi-Man, Passenger Terminal, Amsterdam
2018 Hollandse Nieuwe, Galerie Mooi-Man, Groningen
2019 1.050 KM/H In The Wrong Direction,  Josilda da Conceição Gallery,Amsterdam

Performance in collaboration with Imke Zeinstra
During Cultuurnacht 2017 Breda
Duration 2 Hours
2017

Installation
MDF, Wallpaper, Wall Paint, Lamp, Lampshade, Table, Wine Bottle, Condom, Candle, Candle Holder, Laminate, Carpet, Ashtray, Cigarettes, Cork,
Sound Clip 3:13. 224x244x35 cm
Unique work
2017

The headphones are connected to a makeshift wall behind which props and environments are installed that are described in the narration. The description of the scenes and the time are compressed, their accessibility is hindered. Memory is precious, envelops and embodies the remaining space.

Shown
2017 No Matterial Difference, Club Solo, Breda

Video Installation
2 Videos Video in loop 11:55. Subtitles in Loop 3:15. Mdf, Paint
122x224cm, 20x61cm
Edition 5 + 2Ap
2017

In the work ‘Baby, Did you know we already moved more than 768800 kilometers together?’ we see two bodies entangled. Two bodies. It is a scene of immediacy, of almost embarrassing vulnerability and openness. Too private. We are witnessed to a scene not intended for our eyes. We penetrate. The protagonists break the boundaries of comfortable distance. By making us complicit in a world that, though pretending to be, has no privacy, a world where all emotions are commodities like any other, where the transparency of intimate life becomes a problem. The story in the subtitles also speaks
on the same level of intimacy. Addressing the viewer without the filter of the accepted framework of artistic discourse.

Shown
2017 No Matterial Difference, Club Solo, Breda
2018 Sensitive Surface 2.0, Fotogalleri Vasli Souza, Malmö
2018 Kwetsbaar Verlangen, Dordrecht Pride, Dordrecht
2019 1.050 KM/H In The Wrong Direction,  Josilda da Conceição Gallery,Amsterdam
2019 Let Us In – Work In Progress, Willem Twee Kunstruimte, ‘s-Hertogenbosch

Nominated
2018 BLOOOM award, Warsteiner, Cologne (Nomination)

Performance at Club Solo
Duration ± 15 minutes
2017

Performance based aroudn the question of being born and that it means u would die. During a “burrying” ritual the partisipating public is asked to drown me. Like filling a grave in a burrial seremony. At the same time the bathtub refers to a womb, that gets filled with water. The work crosses the broundy between a burrial and a (re)birth and shows the paradox in an absuric way.

Shown
2017 No Matterial Difference, Club Solo, Breda
2018 Landkunst, BKKC, Fort Sabina, Heijningen