Video :
Freedom? :
Video
3:33
Size Variable
Edition 5 + 2ap.
2014
Shown
2014 Image of Perspective – Electron, Breda
2015 The Little Prince, Documentary by Nicky Maas
If Life is So mucht fun... I will put up the baloons myself :
Videoperformance
Videomapping into corner
duration 10:00
Edition 5 + 2ap.
2014
Shown
2014 The element of Surprise, NEST, The Hague
Teerling I :
Video Installation
Video 20:00 in Loop, Pedestal, Eggshells
Dimentions Variable
Unique Piece
2015
1. Chambres des Schie
2. Go Get’em
3. Light Screen Action
Shown
2015 GO GET’EM, Shellgebouw-Hofpoort, Rotterdam
2015 Chambres des Schie, Fotofestival Schiedam, Schiedam
2015 Young Talent Award Show, Kromhouthal, Amsterdam
2015 Papa, Mama, mag ik in de wolken wonen?, NFF, Utrecht
2016 Light,Screen,Action, Electron, Breda
2017 Ways of Seeing, Josilda da Conceição Gallery, Amsterdam
Nominated
2015 Drempel-prijs, Gemeente Rotterdam, Rotterdam (Nomination )
2015 Young Talent Award, Lease-plan, Amsterdam (Nomination )
Only By Gazing Into The Stars, You Can See The Past :
Video Installation.
Video 10:30 in Loop, Monitor, Clothing of Ex-Lovers and Onenightstands.
Size Variable.
Unique Piece
2016.
The work “Only by gazing into the stars, you can see the past” consists of a video that is shown on clothing of former lovers and onenightstands. We can see a part of the artist’s life that is almost too private, this can give you an uncomfortable feeling that the Nuiten must have felt during the making of the work. The work is so direct that we feel his struggle in life and we can recognize a part of it in our own life.
Shown
2016 Foederer Talent Awardshow, LAC, Eindhoven
2017 Cultuurnacht Breda, Electron, Breda
2018 Sensitive Surface 2.0, Fotogalleri Vasli Souza, Malmö
2018 We Choose To Go To The Moon, Josilda da Conceição Gallery,Amsterdam
2019 Rotterdam Photo / Art Rotterdam , Rotterdam
Nominated
2016 Young Talent Award, Foederer Talent fonds, Eindhoven (Nomination)
Sunday Morning :
Video
3:33 video, monitor
Size Variable
Edition 5 +2ap.
2016
Shown
2016 Open Studios, AKV | St.Joost, ‘s-Hertogenbosch
2017 Cultuurnacht Breda, Electron, Breda
Teerling II :
Video Installation
Video 21:39 in Loop, Bedframe, Mattress, Duvet cover
190 x 70 x 50cm
Unique Piece
2016
Shown
2016 My naked eye, Mooi-Man Gallery, Groningen
2016 Open Studios, AKV | St.Joost, ‘s-Hertogenbosch
Nominated
2017 BLOOOM award, Warsteiner, Cologne (Nomination)
Pity Party :
Video Performance
Video 9:51 min
Size Variable
Edition 5 + 2ap.
2017
Shown
2017 Who is Afraid of Virginia Woolf ?, Flipsite, Eindhoven
2017 Untitled 2017, Paradiso Melkweg Productiehuis, Breda
2017 Never Settled, Willem Twee, ‘s-Hertogenbosch
2018 GAST, Melkfabriek, ‘s-Hertogenbosch
2018 First Art Fair, Galerie Mooi-Man, Passenger Terminal, Amsterdam
2018 Hollandse Nieuwe, Galerie Mooi-Man, Groningen
2019 1.050 KM/H In The Wrong Direction, Josilda da Conceição Gallery, Amsterdam
Baby, Did you know we already moved more than 768800 kilometers together? :
Video Installation
2 Videos Video in loop 11:55. Subtitles in Loop 3:15. Mdf, Paint
122x224cm, 20x61cm
Edition 5 + 2Ap
2017
In the work ‘Baby, Did you know we already moved more than 768800 kilometers together?’ we see two bodies entangled. Two bodies. It is a scene of immediacy, of almost embarrassing vulnerability and openness. Too private. We are witnessed to a scene not intended for our eyes. We penetrate. The protagonists break the boundaries of comfortable distance. By making us complicit in a world that, though pretending to be, has no privacy, a world where all emotions are commodities like any other, where the transparency of intimate life becomes a problem. The story in the subtitles also speaks
on the same level of intimacy. Addressing the viewer without the filter of the accepted framework of artistic discourse.
Shown
2017 No Matterial Difference, Club Solo, Breda
2018 Sensitive Surface 2.0, Fotogalleri Vasli Souza, Malmö
2018 Kwetsbaar Verlangen, Dordrecht Pride, Dordrecht
2019 1.050 KM/H In The Wrong Direction, Josilda da Conceição Gallery,Amsterdam
2019 Let Us In – Work In Progress, Willem Twee Kunstruimte, ‘s-Hertogenbosch
Nominated
2018 BLOOOM award, Warsteiner, Cologne (Nomination)
The Party Would Never Stop :
Videoperformance
Video 9:51
Size Variable
Edition 5 + 2ap.
2019
The balloon deflates very slowly. The film is an ironic interpretation of a pity party: a moment of self-pity, when the last guest at a party gets lost in an exhausting lament about life. This work shows that difficult moments, when happiness is hard to find, are sometimes worth showing the most.
Shown
2019 The Party Would Never Stop, Chassé Theater, Breda
2019 Raketstart – Nieuwe beeldende kunst Breda, Stedelijk Museum Breda, Breda
2019 Publication, Exhibition Catalogue, Raketstart
2019 Publication, BKMagazine
2020 Big Art, Hembrug, Zaandam
